Toni Morrison's Sula: Formation of the Self in Terms of Love-Death Relationships with Others and with Oneself

dc.coverage	CRC	en
dc.creator	Jiménez Rodríguez, Adriana
dc.date	2009-07-01
dc.date.accessioned	2016-05-03T14:50:57Z
dc.date.available	2016-05-03T14:50:57Z
dc.description	This paper analyzes Toni Morrison's novel Sula from the joint perspectives of feminism and African-American women's writing. It attempts to explore, using a New Critic approach, the undeniable presence of the forces of love and death throughout the narrative in the specific context of the protagonist's relationship with others and with herself.	en-US
dc.description	.	es
dc.format	application/pdf
dc.identifier	http://revistas.ucr.ac.cr/index.php/rlm/article/view/9427
dc.identifier.uri	https://hdl.handle.net/10669/23624
dc.language	eng
dc.publisher	Escuela de Lenguas Modernas, Universidad de Costa Rica	es
dc.relation	Revista de Lenguas Modernas;
dc.rights	Copyright (c) 2014 Revista de Lenguas Modernas	es
dc.source	Revista de Lenguas Modernas; Revista de Lenguas Modernas : Número 11	es
dc.source	Revista de Lenguas Modernas; Revista de Lenguas Modernas : Número 11	en
dc.source	16591933
dc.title	Toni Morrison's Sula: Formation of the Self in Terms of Love-Death Relationships with Others and with Oneself	en
dc.type	artículo original

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