Osvaldo Guayasamín Del vientre de la huaca, al hueso: La permanencia
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Perea Anda, Mónica
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Abstract
El presente trabajo tiene como objetivo establecer la relación, huaca- vasija de barro-útero- (tierra-naturaleza-
vida-patria-ternura, lo femenino), hueso: (memoria-permanencia), que aparece como elemento
recurrente a través de toda la obra del pintor ecuatoriano, Osvaldo Guayasamín, que nace de su relación
vivencial, histórico-cultural y emocional con lo precolombino y de ahí hace surgir lo irreductible de la
vida, en: Mientras viva, siempre te recuerdo. La edad de la ternura.
This paper aims to establish the relationship, Huaca-graybeard-uterus (earth-nature-life-homeland-tender, feminine), bone-(memory -continuity), which appears as a recurring element throughout the work of the Ecuadorian painter Osvaldo Guayasamín, born of his experiential culture-historical and emotional relationship with pre-Columbian and hence raises the irreducibility of life, in: While I live, I always remember you. The age of tenderness.
This paper aims to establish the relationship, Huaca-graybeard-uterus (earth-nature-life-homeland-tender, feminine), bone-(memory -continuity), which appears as a recurring element throughout the work of the Ecuadorian painter Osvaldo Guayasamín, born of his experiential culture-historical and emotional relationship with pre-Columbian and hence raises the irreducibility of life, in: While I live, I always remember you. The age of tenderness.
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Vasija, Femenino, Tierra, Madre, Patria, Hueso-vida-memoria histórica, Graybeard, Female, Earth, Mother, Country, Bone-life-historical memory
Citation
https://revistas.ucr.ac.cr/index.php/escena/article/view/21168