The Culture-bound Hierarchy of Manhood:  An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?

dc.creator	Saravia Vargas, Juan Carlos
dc.creator	Saravia Vargas, José Roberto
dc.date.accessioned	2011-10-01T21:58:05Z
dc.date.available	2011-10-01T21:58:05Z
dc.date.issued	2010-01
dc.identifier.citation	http://www.latindex.ucr.ac.cr/mod003-01.php
dc.identifier.issn	1659-1933
dc.identifier.uri	https://hdl.handle.net/10669/530
dc.description.abstract	Although the concept of hegemonic masculinity was defined more than two decades ago, failure to consider the significance of cultural differences in the construction of maleness has led contemporary critics to misinterpret the Japanese vision of hegemonic masculinity. This analysis of the most significant male characters in the movie Shall We DANSU? highlights the cultural components that shape the represented masculinities and shows how the movie criticizes Western compulsive masculinity discourse defined by Charlebois.	es_ES
dc.language.iso	en_US	es_ES
dc.publisher	Revista de Lenguas Modernas, n. 12, 2010	es_ES
dc.subject	Masculinity	en
dc.subject	Society	en
dc.subject	Gender	en
dc.subject	Japanese culture	en
dc.subject	Movies	en
dc.title	The Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?	en
dc.type	artículo original
dc.description.procedence	UCR::Vicerrectoría de Docencia::Artes y Letras::Facultad de Letras::Escuela de Lenguas Modernas	es_ES