Publicaciones de la Universidad de Costa Rica

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Arquitectura poética y ascensión musical: Yolanda Oreamuno en concierto con Eunice Odio.
(2012-09-04 00:00:00) Chen Sham, Jorge
n as much sculptural and architectonic representation, the power of the call of poetry unfolds by means of tactile or visual sensations upon molding and giving form to a material within the space of a page. In addition, poetry can, with language, carve out a human figure or raise a building. Yolanda Oreamuno and Eunice Odio understand how to manage proportion, perspective and volume as capable architects in the two texts that we put in concert. "Eight O'clock Mass" and "The Path of Fire" respectively.
El umbral sagrado (Entre la experiencia mística y el ritual pagano).
(2012-09-04 00:00:00) Campos Ocampo, Melvin
This article analyzes the ambiguity of the mystical experience suffered by the narrative instance in the short story "Misa de ocho", by Yolanda Oreamuno. This ambiguity is produced because the Christian mystical rapture is tainted by paganism: the rite becomes intimate through physically sensitive elements (light, colour, music), and ends in a dancing outburst that is very close to an erotic rapture. Thus, it is a non Catholic epiphany, rather than one related to pre- Christian religions, linked to the Earth, the feminine, the physical and the erotic.