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dc.creatorSaravia Vargas, Juan Carloses_ES
dc.creatorSaravia Vargas, José Robertoes_ES
dc.date.accessioned2011-10-01T21:58:05Zes_ES
dc.date.available2011-10-01T21:58:05Zes_ES
dc.date.issued2010-01es_ES
dc.identifier.citationhttp://www.latindex.ucr.ac.cr/mod003-01.phpes_ES
dc.identifier.issn1659-1933es_ES
dc.identifier.urihttp://hdl.handle.net/10669/530es_ES
dc.description.abstractAlthough the concept of hegemonic masculinity was defined more than two decades ago, failure to consider the significance of cultural differences in the construction of maleness has led contemporary critics to misinterpret the Japanese vision of hegemonic masculinity. This analysis of the most significant male characters in the movie Shall We DANSU? highlights the cultural components that shape the represented masculinities and shows how the movie criticizes Western compulsive masculinity discourse defined by Charlebois.es_ES
dc.language.isoen_USes_ES
dc.publisherRevista de Lenguas Modernas, n. 12, 2010es_ES
dc.subjectMasculinityen
dc.subjectSocietyen
dc.subjectGenderen
dc.subjectJapanese cultureen
dc.subjectMoviesen
dc.titleThe Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?en
dc.typeArtículo científicoes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.description.procedenceUCR::Docencia::Artes y Letras::Facultad de Letras::Escuela de Lenguas Modernases_ES


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