dc.creator | Jiménez Rodríguez, Adriana | |
dc.date | 2009-07-01 | |
dc.date.accessioned | 2016-05-03T14:50:57Z | |
dc.date.available | 2016-05-03T14:50:57Z | |
dc.identifier | http://revistas.ucr.ac.cr/index.php/rlm/article/view/9427 | |
dc.identifier.uri | https://hdl.handle.net/10669/23624 | |
dc.description | This paper analyzes Toni Morrison's novel Sula from the joint perspectives of feminism and African-American women's writing. It attempts to explore, using a New Critic approach, the undeniable presence of the forces of love and death throughout the narrative in the specific context of the protagonist's relationship with others and with herself. | en-US |
dc.description | . | es-ES |
dc.format | application/pdf | |
dc.language | eng | |
dc.publisher | Escuela de Lenguas Modernas, Universidad de Costa Rica | es-ES |
dc.relation | Revista de Lenguas Modernas; | |
dc.rights | Copyright (c) 2014 Revista de Lenguas Modernas | es-ES |
dc.source | Revista de Lenguas Modernas; Revista de Lenguas Modernas : Número 11 | es-ES |
dc.source | Revista de Lenguas Modernas; Revista de Lenguas Modernas : Número 11 | en-US |
dc.source | 16591933 | |
dc.title | Toni Morrison's Sula: Formation of the Self in Terms of Love-Death Relationships with Others and with Oneself | en-US |
dc.type | artículo original | |
dc.coverage | CRC | en-US |