The Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?

Saravia Vargas, José Roberto; Saravia Vargas, Juan Carlos

dc.creator	Saravia Vargas, José Roberto
dc.creator	Saravia Vargas, Juan Carlos
dc.date	2010-02-01
dc.date.accessioned	2016-05-03T14:50:35Z
dc.date.available	2016-05-03T14:50:35Z
dc.identifier	http://revistas.ucr.ac.cr/index.php/rlm/article/view/9467
dc.identifier.uri	https://hdl.handle.net/10669/23512
dc.description	Although the concept of hegemonic masculinity was defined more than two decades ago, failure to consider the significance of cultural differences in the construction of maleness has led contemporary critics to misinterpret the Japanese vision of hegemonic masculinity. This analysis of the most significant male characters in the movie Shall We DANSU? highlights the cultural components that shape the represented masculinities and shows how the movie criticizes Western compulsive masculinity discourse defined by Charlebois.	en-US
dc.description	.	es-ES
dc.format	application/pdf
dc.language	eng
dc.publisher	Escuela de Lenguas Modernas, Universidad de Costa Rica	es-ES
dc.relation	Revista de Lenguas Modernas;
dc.rights	Copyright (c) 2014 Revista de Lenguas Modernas	es-ES
dc.source	Revista de Lenguas Modernas; Revista de Lenguas Modernas : Número 12	es-ES
dc.source	Revista de Lenguas Modernas; Revista de Lenguas Modernas : Número 12	en-US
dc.source	16591933
dc.title	The Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?	en-US
dc.title	The Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?	es-ES
dc.type	artículo original
dc.coverage	CRC	en-US

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