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The Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?

dc.creatorSaravia Vargas, José Roberto
dc.creatorSaravia Vargas, Juan Carlos
dc.date2010-02-01
dc.date.accessioned2016-05-03T14:50:35Z
dc.date.available2016-05-03T14:50:35Z
dc.identifierhttp://revistas.ucr.ac.cr/index.php/rlm/article/view/9467
dc.identifier.urihttp://hdl.handle.net/10669/23512
dc.descriptionAlthough the concept of hegemonic masculinity was defined more than two decades ago, failure to consider the significance of cultural differences in the construction of maleness has led contemporary critics to misinterpret the Japanese vision of hegemonic masculinity. This analysis of the most significant male characters in the movie Shall We DANSU? highlights the cultural components that shape the represented masculinities and shows how the movie criticizes Western compulsive masculinity discourse defined by Charlebois.en-US
dc.description.es-ES
dc.formatapplication/pdf
dc.languageeng
dc.publisherEscuela de Lenguas Modernas, Universidad de Costa Ricaes-ES
dc.relationRevista de Lenguas Modernas;
dc.rightsCopyright (c) 2014 Revista de Lenguas Modernases-ES
dc.sourceRevista de Lenguas Modernas; Revista de Lenguas Modernas : Número 12es-ES
dc.sourceRevista de Lenguas Modernas; Revista de Lenguas Modernas : Número 12en-US
dc.source16591933
dc.titleThe Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?en-US
dc.titleThe Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?es-ES
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.coverageCRCen-US


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