Bits of Olive

dc.creator	Delgado, O. S.
dc.date	2011-01-01
dc.date.accessioned	2016-05-03T14:50:33Z
dc.date.available	2016-05-03T14:50:33Z
dc.identifier	http://revistas.ucr.ac.cr/index.php/rlm/article/view/9622
dc.identifier.uri	https://hdl.handle.net/10669/23473
dc.description	Before it happened, Allan had spend five excruciatingly long months attending the final details of his master piece; weird, one may think, since he had finished a fully praisable oil?clearly first-class?just twenty-three days after the first brush. Annabel, his daily muse and loveable companion, constantly emphasized the wholeness of the artwork and often commented on both, the artist and the picture, about each having in them particularities that rendered them unique, odd, and above all beautiful. But Allan relentlessly discharged her complements as they were, he thought, exceedingly influenced by the overwhelming seduction of her own features competently imprisoned in the canvas and, of course, the profound love between them.	es-ES
dc.format	application/pdf
dc.language	spa
dc.publisher	Escuela de Lenguas Modernas, Universidad de Costa Rica	es-ES
dc.relation	Revista de Lenguas Modernas;
dc.rights	Copyright (c) 2014 Revista de Lenguas Modernas	es-ES
dc.source	Revista de Lenguas Modernas; Revista de Lenguas Modernas : Número 15	es-ES
dc.source	Revista de Lenguas Modernas; Revista de Lenguas Modernas : Número 15	en-US
dc.source	16591933
dc.title	Bits of Olive	es-ES
dc.type	artículo original
dc.coverage	CRC	es-ES

Ficheros en el ítem

Ficheros	Tamaño	Formato	Ver
No hay ficheros asociados a este ítem.